Chinese potters works

In modern Chinese potters works, hidden in two major illnesses, the first is the exaggerated individualism of the blind, shows the seriousness of high aesthetic ignorance or tired. The individual spirit of the day-to-day worship, to a large extent on the connivance of the individual and random way of life and psychological feeling of laissez-faire, was innocent repeat the form of language abuse, making the lack of artistic creation from the perspective of social and cultural survival of feelings of self-involvement, perhaps this is Is the modern Chinese culture in general lack the basic quality of protection. This is China's "modern" of individualism and the recognition of the results brought about by the development of the defects. The second is still on the blind pursuit of technology, this is a classical Chinese ceramics regret. Although the aesthetic of modern ceramics in the performance of the same material dependence, but blindly in the interpretation of material on the avid and experiment, but only showing a landscape material, but also can not edit works of the spirit of the pale. "Ceramics" is ceramic, mud do fire, but also how art is made of raw materials, its significance in the works as a text in the article the meaning of the text itself does not live, ceramic materials and art itself has no direct relationship , And art is far from ideal. Although the exploration of ceramic materials is no end of the road, but, it is necessary to construct the contemporary cultural context of modern Chinese ceramic art monument, we can not stay in the mud and material experiments on fire.